![]() The coldness that Amanda displays is deep. Amanda still loves her adopted daughter, but she doesn’t trust her to do what’s best for her brother, given past decisions. And what she does after she finds out is telling: She gives Michael a kiss and then leaves, saying she’ll find Spock herself. She has an iron will and an almost Vulcan stubbornness, and she’s willing to use it to figure out what happened to Spock.Īt the end of the episode, Amanda discovers that Michael wounded her son in order to protect him. But Kirshner showed us just how far Amanda would be willing to go to protect her son. If we know anything about Amanda, we know that she’s a caring mother. That, in and of itself, sets the stage for this fantastic performance that adds depth to the character that’s been missing across her franchise portrayal. But it isn’t really until the second season episode “Point of Light” that we see a different side to Kirshner’s Amanda.Īmanda arrives on the Discovery after stealing Spock’s medical file from Starbase 5. Amanda certainly plays her role as an ambassador’s wife well, and she’s devoted to raising Michael. ![]() Kirshner has done her best to walk the lines set out for her so far, but there’s not a lot to draw from. ![]() This brings us to Star Trek: Discovery and Mia Kirshner. As a result, Amanda’s role is often relegated to a supportive wife and nurturing mother while there’s nothing wrong with being either of those things, it’s hardly a full portrayal of a three-dimensional character with her own motivations and ability to make decisions. In “Journey to Babel,” she’s very good at being who she needs to be, depending on the occasion, and displays a sparkling wit and feisty personality that’s often missing later. This performance set the stage for Amanda, though her subsequent portrayals are much flatter. She may seem as calm as a Vulcan on the outside, but underneath she’s a storm of emotion, something that both her husband and son gently tease her about at the end of the episode. She’s not afraid to advocate for what she believes in and express her feelings to her son and husband in private. It’s hard to tell what she thinks under that calm exterior, but her words often give her away. She maintains a serene look on her face, fitting for the wife of a Vulcan. She watches the arguments between her husband and son and, for the most part, doesn’t get involved. In “Journey to Babel,” Amanda presents herself as somewhat of an enigma. In the episode, Ambassador Sarek boards the Enterprise with his wife, Amanda, but refuses to speak to his son because of their estrangement over Spock’s decision to enter Starfleet instead of the Vulcan Science Academy. “Journey to Babel” revealed quite a bit about Spock’s history, as it centered on his strained relationship with his father, Sarek. Her portrayal on screen has been rocky and flat at times, but thanks to Mia Kirshner and the Star Trek: Discovery writers, she’s finally becoming important in her own right, rather than because of who she’s connected to.Īmanda was first introduced to the screen in The Original Series episode “Journey to Babel,” where she was played by Jane Wyatt. ![]() But underneath that meek exterior, there is a will of fire and steel, and a determination to do right by her family. She presents herself as a dutiful wife to her husband Sarek and a devoted mother to her son, Spock. For a character that has only appeared in one Star Trek episode and (briefly) in two movies prior to Star Trek: Discovery, Amanda Grayson has had an outsized impact on the Trek universe.
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